— The Erimtan Angle —

SNOWDEN

Snowden-2016SNOWDEN stars Joseph Gordon-Levitt and is written and directed by Academy Award-Winning Director Oliver Stone. The script is based on the books The Snowden Files: The Inside Story of the World’s Most Wanted Man by Luke Harding and Time of the Octopus by Anatoly Kucherena. Published on Apr 27, 2016.

Annalee Newitz writes that “it’s no surprise that Oliver Stone, a master of political thrillers, is turning the real-life version of Snowden’s experiences into a movie that feels—at least in the trailer—as tense and exciting as the latest Mission Impossible installment. Which is good but also means that you’ll need to forgive this movie for its unrealistic tech tropes. Joseph Gordon-Levitt (Inception, Looper) does a pitch-perfect impression of Snowden as a patriotic geek with smartass tendencies. Injured during military training, he sets his sights on intelligence work, where he scores off the charts on every task the government throws at him. And then one night, one of his fellow intelligence geeks shows him a tool that they can use to spy on everyone in the country. As Snowden has a crisis of conscience, we’re treated to one of those classic ‘hacking scene’ moments where a nonexistent piece of software behaves in ways that make no sense, swirling around and showing us random pieces of private data from all the social networks ever. I know, I know. This is not how it happened. Just go with it. Probably the best part of the trailer, which captures both the serious and mischievous sides of Snowden, is when we see him sneaking data out of the NSA contractor where he works by hiding it on an SD card inside a Rubik’s Cube. Then we see a rapid-fire series of scenes where the stakes get higher, Snowden meets with Glenn Greenwald (played by Zachary Quinto, AKA Spock), and the tension mounts as blinky lights illuminate everybody’s faces. It’s satisfying to see events that aroused so much passion around the world translated into an emotionally gripping story. But ‘story’ is the operative term here. Stone, who co-wrote the film, has taken a lot of liberties to turn this tale of people typing and talking into a suspenseful drama”.[1]

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[1] Annalee Newitz, ” Oliver Stone’s Snowden looks like the greatest techno-thriller ever” ars technica (27 April 2016). http://arstechnica.com/the-multiverse/2016/04/oliver-stones-snowden-looks-like-the-greatest-techno-thriller-ever/.

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