Back in 2009, Joshua Keating shared his musings about an “intriguing theoretical map of Europe designed by Dutch beer tycoon Freddy Heineken. A dedicated Europhile, Heineken believed that smaller nations within a larger European framework would be more manageable in the post-Cold War era. In 1992, he coauthored a pamhplet titled The United States of Europe (a Eurotopia?), which included the above proposal for a new Europe comprised of small territories of roughly equal, ethnically homogernous populations”.1 This 18-page tract was published by De Amsterdamse Stichting voor de Historische Wetenschap, a seemingly reputable publisher which is in fact a vanity project financed by the beer magnate himself: ‘Alfred Henry “Freddy” Heineken (4 November 1923 – 3 January 2002) was a Dutch businessman for Heineken International, the brewing company bought in 1864 by his grandfather Gerard Adriaan Heineken in Amsterdam. He served as Chairman of the Board of directors and CEO from 1971 until 1989. After his retirement as chairman and CEO, Heineken continued to sit on the board of directors until his death and served as chairman of the Supervisory board from 1989 till 1995. At the time of his death, Heineken was one of the richest people in the Netherlands, with a net worth of 9.5 billion guilders’.2 Or, a bored rich Dutchman looking for rhyme and reason, who, in the Nineties fell upon the idea of turning the whole of Europe into a giant continent-wide Balkan peninsula for the benefit of the corporatocracy . . . And now, let’s leave the field to the eminent map specialist Frank Jacobs: “Heineken collaborated with two historians to produce a booklet entitled The United States of Europe1, A Eurotopia? The idea was timely, for two reasons. Eastern Europe was experiencing a period of turmoil, following the collapse of [C]ommunism. The resulting wave of nationalism led to the re-emergence of several nation-states (i.e. the Baltics) and the break-up of several others (Czechoslovakia and Yugoslavia). And in 1992, the Maastricht Treaty would transform an initially mainly economic ‘European Community’ into a more political ‘European Union’. Heineken’s proposal would lead to the creation of dozens of new European states, which would have a comparably small population size (mostly between 5 and 10 million), some basis in history, and for the most part would be ethnically homogenous. The theory behind Heineken’s idea is that a larger number of smaller member-states would be easier to govern within a single European framework than a combination of larger states competing for dominance. Heineken might have been inspired by the work of Leopold Kohr”,3 . . . and continuing in another entry, Jacobs explains that Kohr (1909-94) was “an Austrian philosopher influenced by Anarchism and influential on the Green movement”,4 whose most influential work is a book entitled The Breakdown of Nations . . . in which he apparently expanded upon the notion that small is beautiful . . . Jacobs continues that for Kohr the “main question for society, therefore, [was] ‘not to grow, but to stop growing. The answer: not union but division.’ Not something you often hear advocated by politicians. Kohr wrote about half a dozen other books in all, also wrote one titled ‘Is Wales Viable? – a question that has still not been answered satisfactorily . . . As Kohr saw it, the problem with Europe’s geopolitical makeup was the fact that its states were not equal in size, allowing the ‘big ones’ to dominate the rest. Or at least try to, hence the endless series of wars in Europe. One way to solve this, would be to chop up the continent into rectangular chunks of territory, disregarding most existing cultural, religious, linguistic and natural boundaries”.5
Heineken took Kohr’s ideas and ran with them . . . Jacobs explains what Kohr’s plans were really all about: “Eire, Portugal, all 5 Scandinavian countries, the 3 Baltic countries . . . the Netherlands and Belgium . . . Austria, Hungary, Albania, Greece, Bulgaria and Switzerland” are all small enough to pesist, but “[t]he UK is [to be] disestablished in favour of its constituent nations: England, Scotland, Wales, (Northern) Ireland. Spain disintegrates into Asturia, Castillia, Andalusia, Catalonia and Aragón. France falls apart into Aquitaine, Brittany, Normandy, Isle de France, Alsace-Lorraine, Burgundy, Languedoc, the Midi and Corsica. Italy is replaced by successor states Savoy, Lombardy, Tuscany, the Papal States (!), Naples, Sicily and Sardinia. Yugoslavia breaks up into Croatia, Dalmatia, Bosnia, Serbia and Macedonia. Romania becomes Transylvania and Wallachia. Czechoslovakia is divided among Bohemia and Slovakia. Germany, the pivotal power in Central Europe . . . disintegrates into Bavaria, Saxony, Hanover, the Rhineland, Baden-Württemberg, Brandenburg, Prussia, Silesia and one more state the name of which I can’t quite make out – but which would have to be Mecklenburg” and “Poland becomes Posen, Galicia and Warsaw”.6
The Irish journalist Gearóid Ó Colmáin explains matter-of-factly that “Kohr’s ideas have become extremely influential in European Union policy circles. Trans-national financial elites want to make the European Union into the political representation of their power.A federal Europe of micro-states whose policies are determined by global elites would make it impossible for Europe’s citizens to unite against the trans-national financial ruling class; it is the reason why Heineken’s map is now becoming a grim reality – all over Europe”.7
5Frank Jacobs, “Want World Peace? Divide the World in Enough Small States”.
6Frank Jacobs, “Want World Peace? Divide the World in Enough Small States”. .
Beijing 2008: A Painting and its Meaning
I stumbled across this intriguing picture on Facebook, of all places. The image was posted by a certain Joel Ng, who appears to be living in Brunei, again of all places. And this what he said by way of accompaniment: “Amazing thought-provoking painting “Beijing 2008” by Chinese-Canadian artist Liu Yi. The woman with the tattoos on her back is China. On the left, focused intensely on the game, is Japan. The one with the shirt and head cocked to the side is America. Lying provocatively on the floor is Russia. And the little girl standing to the side is Taiwan. This painting, named Beijing 2008, has been the subject of much discussion in the west as well as on the internet. What’s interesting is that this painting is called Beijing 2008, yet it depicts four women playing mahjong, and conceals a wealth of meaning within . . . China’s visible set of tiles “East Wind” has a dual meaning. First, it signifies China’s revival as a world power. Second, it signifies the military might and weaponry that China possesses has already been placed on the table. On one hand, China appears to be in a good position, but we cannot see the rest of her hand. Additionally, she is also handling some hidden tiles below the table. America looks confident, but is glancing at Taiwan, trying to read something off of Taiwan’s expression, and at the same time seems to be hinting something at Taiwan. Russia appears to be disinterested in the game, but this is far from the truth. One foot hooks coyly at America, while her hand passes a hidden tile to China, both countries can be said to be exchanging benefits in secret. Japan is all seriousness while staring at her own set of tiles, and is oblivious to the actions of the others in her self-focused state. Taiwan wears a traditional red slip, symbolizing that she is the true heir of Chinese culture and civilization. In one hand she has a bowl of fruit, and in the other, a paring knife. Her expression as she stares at China is full of anger, sadness, and hatred, but to no avail; unless she enters the game, no matter who ends up as the victor, she is doomed to a fate of serving fruit. Outside the riverbank is darkened by storm clouds, suggesting the high tension between the two nations is dangerously explosive. The painting hanging on the wall is also very meaningful; Mao’s face, but with Chiang Kai Shek’s bald head, and Sun Yat-Sen’s mustache”.a
Ng continues that the “four women’s state of undress represent the situation in each country. China is naked on top, clothed with a skirt and underwear on the bottom. America wears a bra and a light jacket, but is naked on the bottom. Russia has only her underwear left. Japan has nothing left. At first glance, America appears to be most composed and seems to be the best position, as all the others are in various states of nakedness. However, while America may look radiant, her vulnerability has already been exposed. China and Russia may look naked, yet their key private parts remain hidden. If the stakes of this game is that the loser strips off a piece of clothing, then if China loses, she will be in the same state as Russia (similar to when the USSR dissolved). If America loses, she also ends up in the same state as Russia. If Russia loses, she loses all. Japan has already lost everything. Russia seems to be a mere ‘filler’ player, but in fact is exchanging tiles with China. The real ‘filler’ player is Japan, for Japan has nothing more to lose, and if she loses just once more she is immediately out of the game. America may look like she is in the best position, but in fact is in a lot of danger, if she loses this round, she will give up her position as a world power. Russia is the most sinister, playing along with both sides, much like when China was de-occupied, she leaned towards the USSR and then towards America; as she did not have the ability to survive on her own, she had to weave between both sides in order to survive and develop. There are too many of China’s tiles that we cannot see. Perhaps suggesting that China has several hidden aces? Additionally China is also exchanging tiles with Russia, while America can only guess from Taiwan’s expression of what actions have transpired between Russia and China. Japan on the other hand is completely oblivious, still focused solely on her own set of tiles. Taiwan stares coldly at the game from aside. She sees everything that the players at the table are doing, she understands everything that is going on. But she doesn’t have the means or permission to join the game, she isn’t even given the right to speak. Even if she has a dearth of complaints, she cannot voice it to anyone, all she can do is to be a good page girl, and bring fresh fruit to the victor. The final victor lies between China and America, this much is apparent. But look closely; while America is capable, they are playing Chinese Mahjong, not Western Poker. Playing by the rules of China, how much chance at victory does America really have?”.b And that is question, particularly now that America’s nominal figurehead is a buffoon like the Drumpf, who seems to be bumbling through life as much anything else. In fact, the artist also has a Facebook page, and I imagine that enterprising or merely curious onlookers might want to query Lui Liu.c Still, I would say that Joel Ng has done an excellent job at unraveling the various layers of meaning and decoding the iconography as well as iconology of the work.
aJoel Ng’s post in ’21SilkRd’ Facebook (01 July 2019). https://www.facebook.com/groups/947867908642430/permalink/2287003388062202/.
b Joel Ng’s post in ’21SilkRd’.
c“Lui Liu. @luiliupainter” Facebook. https://www.facebook.com/luiliupainter/.
Category:
Americana, Art, China, Current Affairs, Current History, Democracy, Foreign Policy, Interwebz, Japan, Military-Industrial Complex, NATO, Oil and Gas, Political Commentary, Pop Culture, Pornography, Propaganda, Russia, State Department, U.S., Uncategorized